I SOLD MY SOUL TO ROCK AND ROLL AND MIND CONTROL

MICHAEL JACKSON HISTORY HERE

Eight Late Great Guitarists of the Rock Era

COWELL EMPLOYS TOP LAWYER AGAINST DISABLED CLAIM FOR COMPENSATION

THIS IS WERE LAW BECOMES A COMPLETE ASS. IF SOME RICH DUDE RUNS YOU OVER IN THEIR CAR AND YOU CAN'T WALK AGAIN ALL THEY DO IS HIRE A TOP LAWYER, TOP MEANING ANY KNIGHTS TEMPLAR GOON WHO HAS SWORN HIS SOUL AWAY TO THE DEVIL, AND BECAUSE THE COURTS ARE SO CORRUPT THE RICH THEN GREATLY LIMIT THE ABILITY OF AN ORDINARY CLAIMANT TO GET ANY DAMAGES. MANY CAN'T AFFORD THE MOST BASIC OF REPRESENTATION NEVER MIND THE SO CALLED 'TOP' MASONIC CON MEN RUNNING THE LEGAL SYSTEM IN THE UK AND ACROSS THE GLOBE FOR THEIR OWN FINANCIAL GAIN . Simon Cowell calls in Matrix silk against Britain's Got Talent claimant Matrix Chambers has been instructed by both co-respondents in a £2.5m employment tribunal claim brought by a Britain’s Got Talent contestant against Simon Cowell and the show’s production company, FremantleMedia. Thomas Linden QC is representing Cowell, co-presenter Amanda Holden and his entertainment company Syco in the disability discrimination claim brought by would-be pop star Emma Amelia Pearl Czikai. Linden was instructed by DLA Piper employment partner Alan Chalmers. Christopher Brown of Matrix is representing Fremantle after being directly instructed by the company. Czikai is representing herself. She is claiming £300,000 for injury to her feelings, a further £1.25m for loss of earnings and additional compensation totalling £1m. At a pre-tribunal review, Czikai claimed that any money awarded would be donated to charity. The claimant brought the proceedings following her appearance on the show last May. She complained to broadcasting watchdog Ofcom, but the complaint was rejected in January. She claims the programme did not make arrangements for the fact that she suffered from fibromyalgia, resulting in a poor performance and subsequent “humiliation” by the judges. The pre-tribunal review concluded yesterday, with the judge due to decide whether the case can be brought before a full tribunal in the future. SOURCE

THE SATANIC OCCULT BEHIND THE MUSIC INDUSTRY VIDEO

FULL SCREEN VERSION HERE

DONT SIGN TO A MAJOR LABEL WARNS RADIOHEAD SINGER AS THEY ARE DYING

Radiohead frontman Thom Yorke has warned budding music stars to abandon any dreams of signing with a major label, claiming the mainstream recording industry is dying. Yorke, 41, who made his fortune from six albums recorded with EMI, has told talented young musicians to make it on their own without the help of massive recording contracts. He offers the pessimistic advice in a rare interview for a new school textbook in which he is asked what advice he would give teenagers who wanted to make a difference with their music. Yorke claims the mainstream music industry is dying and that this will be “no great loss to the world” before telling aspiring musicians not to tie themselves to the “sinking ship”. Yorke suggests it will be “only a matter of time — months rather than years — before the music business establishment completely folds”. After recording six albums with EMI, Radiohead split acrimoniously from the label when they failed to agree new terms. In 2007, the band released their seventh album, In Rainbows, as an internet download for which fans could pay whatever they felt was appropriate. Yorke was speaking to the authors of a new textbook for citizenship studies, The Rax Active Citizenship Toolkit, which aims to inspire young people to become more politically literate. EMI's new executive chairman today claimed the label was on a “firm foundation for growth” despite its debts. Charles Allen said EMI, which owes its bank, Citigroup, about £3 billion, has more than trebled cash generation at its recorded music division. SOURCE

DMX ON THE INDUSTRY VIDEO

FULL SCREEN VERSION HERE When Insiders Expose the Ugly Side of the Entertainment Industry

OCCULT BEATLES VIDEO

FULL SCREEN VERSION HERE

ROTTEN SELLS HIS SOUL TO THE DEVIL

SO MUCH FOR "GOD SAVE THE QUEEN THE FASCIST REGIME" SEX Pistol John Lydon wants to make a TV show PRAISING the Royal Family - 33 years after his punk hit God Save the Queen was banned for insulting them. The ex-hellraiser, 54 - also known as Johnny Rotten - said he believed the royals did a good job and was fed up with them getting stick. He said: "I'd like to get to the inner truth of the Royal Family. For years I've wanted to do a documentary asking how they got there and what makes them so superior. "Now I'd like to put the other side, too. The good that they do. It's too easy to take potshots at them." SOURCE

BEYONCE'S WEIRD NAZI STORMTROOPER PERFORMANCE AT THE GRAMMY'S VIDEO

FULL SCREEN VERSION HERE

RIHANNA PROMOTES MASONIC IMAGERY IN UMBRELLA VIDEO

The not to subtle promotion of masonic imagery in top pop act Rihanna's video for her international hit Umbrella. Anyone who watches the video can see the subliminal masonic images flashing up occasionally throughout the shoot. Rihanna like most of the other major acts across the globe is controlled by masonic/Zionist money and power. The whole major music industry is dominated and run by satanic gangsters who know the power of pop and rock music and the sad fact that the world would have NEVER heard of the Beatles and their music if it had not been for a Liverpool homosexual Zionist who managed them to fame with his Zionist connections in London.

JAY-Z'S OCCULT CONNECTIONS

Most of the MAJOR music acts across the globe are managed by the satanic mafia who control the media, the arena's and most of the major outlets that can promote music worldwide . NO ONE can compete as they will quickly be removed from that arena unless they have MASONIC bankers backing. Glastonbury promotes their symbols with a huge pyramid stage each year at one their ritual sites. Creepy infiltration of the occult into music that heavily influences children at a formative age. Jay-Z’s latest video called “Run This Town” (featuring Rihanna and Kanye West) contains occult symbolism relating to secret societies. It has been long rumored that Jay-Z is part of some sort of occult order (probably Freemasonry) due to the hints slipped in his songs and his imagery. ”Run This Town” certainly adds fuel to the fire. We’ll look at the symbolism in this song and in his clothing line Rocawear. I’m pretty sure Jay-Z does it on purpose and that he appreciates the attention it gets him. He has been steadily displaying occult symbolism in his songs, videos and in the designs of his clothing line Rocawear. The Brooklyn rapper has lately been inserting all sorts of references to Freemasonry, Illuminati and other orders. Is he now initiated in one of those Brotherhoods and eager to show it off? Why does he appear in other videos containing occult meanings (see Rihanna’s “Umbrella” or Beyonce’s “Crazy in Love”)? The video to “Run This Town” was directed by Anthony Mandler, who also did Rihanna’s “Disturbia” video. In another of my articles, I explain how this video is a metaphor for evil possession (see also Lenon Honor’s analysis). The least we can say is the Mandler certainly knows how to insert dark symbolism into a video. FULL ARTICLE HERE

HIP HOP AND FREEMASONRY VIDEO

FULL SCREEN VERSION HERE Freemasonry's Connection To The Homosexual Movement

TEMPER TRAP'S VIDEO BEFORE AND AFTER THE ILLUMINATI TREATMENT VIDEO

BEFORE FULL SCREEN VERSION HERE AFTER FULL SCREEN VERSION HERE

MTV'S 2009 VIDEO MUSIC AWARDS IS AN OCCULT MEGA RITUAL

From unexpected drama to shocking performances, MTV’s 2009 Video Music Awards managed once again to raise eyebrows and get people talking. What most people however missed is the occult meanings encoded into the VMAs. The TV event was in fact a large scale occult ceremony, complete with an initiation, a prayer and even a blood sacrifice. We’ll look at the symbolism that went on during the show. MTV’s Video Music Awards have often incorporated dark and strange acts, even containing some occult symbolism. This year’s version has however outdone itself. The show left most people wondering what was wrong with Kanye West or computing the madness of Lady Gaga’s performance. The only way to understand the real meaning behind those performances is by refering to esoteric teachings. Fact is, the whole awards show took the most common rituals of occult orders and reenacted them, to be subtly witnessed by the entire world. This year’s VMA’s were very different from other awards shows. It focused on a very limited number of artists (Beyonce, Taylor Swift, Lady Gaga), while ignoring many others who were equally successful. The “chosen” artists became characters in the VMA’s ceremony and acted out different ritual dramas. This might sound totally crazy to the average MTV viewer but those acquainted with the practices of occult orders (such as Freemasonry) can decode the references to sacred rituals. There are numerous types of fraternities and rituals, from the most noble to the most infernal and they have existed throughout History. The VMAs were decisively inspired by dark, sinister and even Satanic ceremonies. Let’s look at those rituals. The High Priestess’ Words of Wisdom Madonna, the music industry’s High Priestess, the revered “elder” of MTV, opens the show with a very solemn eulogy for Michael Jackson. She admittedly never really knew him or “connected” with him but she was still chosen to pay him tribute. Madonna is a well known and well publicized adept of the Kaballah, the esoteric school of Judaism which is studied in most occult orders. Rabbi Ariel Bar Tzadok explained how she uses (or abuses) Kaballah symbolism in her music: “I discovered that Madonna’s famous dabbling with sacred Jewish mysticism has taken an interesting turn. In her latest music video for the theme song of a new James Bond movie, the “material girl” of old is transforming herself into a “Kabbalah girl.” Aside from the traditional Madonna blend of music and sensuality, in this video we see Madonna has a Holy Name of G-d tattooed onto her right shoulder. Tattooing, mind you, is a practice forbidden under Torah Law, all the more so abhorred by the Kabbalah. ranted the tattoo may not be real or only temporary but nonetheless, any expression of performing a forbidden act is itself forbidden and inexcusable. Unfortunately, Madonna’s abuse of Kabbalah and traditional Torah Judaism does not stop here. Later in the video we see Madonna winding leather straps around her left arm in the exact same format and style as holy tefillin are worn by religious Jewish men. Tefillin consist of a small leather box containing scared parchments. These are then strapped to one’s left biceps, and the strap is wound down the left arm and around the hand. Granted Madonna did not go so far as to defame the tefillin boxes themselves. Yet, it is quite clear that the wrapping of the straps around her arm is done in orthodox Torah style. This act of hers is pure sacrilege.” -Rabbi Ariel Bar Tzadok, Madonna’s Kabbalah – Not Kosher http://www.koshertorah.com/PDF/madonna%20kabbalah.pdf Madonna’s tribute focused on the fact that MJ was “otherwordly” and a King but that he was also a human being. This is wisdom that can only be imparted by the High Priestress, while members of the audience bowed their heads and meditated on those words. The speech was followed by a video tribute to Jackson, which oddly started Thriller, by displaying on a huge screen the face of MJ as a decaying zombie who is risen from the dead. We then hear Price’s verse in the song saying: “Darkness falls across the land The midnite hour is close at hand Creatures crawl in search of blood To terrorize yawls neighbourhood And whosoever shall be found Without the soul for getting down Must stand and face the hounds of hell And rot inside a corpses shell The foulest stench is in the air The funk of forty thousand years And grizzy ghouls from every tomb Are closing in to seal your doom And though you fight to stay alive Your body starts to shiver For no mere mortal can resist The evil of the thriller” It is only fitting that MJ’s greatest hit be included in his tribute. But this was a rather gruesome way to start a posthumous tribute. Someone, somewhere made some odd choices, but this somehow fitted the “vibe” of the rest of the show. Taylor Swift’s Initiation Taylor Swift wins the “Best Female Video” award and goes up on stage to give her thank yous. Kanye West pops out of nowhere, taking the mic from her hand and informed her that Beyonce had “one of the best videos of all time”. This scene has caused much controversy and has earned Kanye the title of “Douchebag of the year” plus a the honor of being called a “jackass” by the President of the United States. I might shock some people by saying this… but this “unexpected” event was… STAGED! There I said it. Did you ever watch a crappy reality show and had the gut feeling that the whole thing was scripted? Well, I’ve got an overload of that feeling while watching that. None of the people implicated (not even Beyonce making her “I can’t believe this is happening” face) are good actors. Furthermore, I’ve been following Kanye’s career since his beginnings and I’ve retained one important fact about him: the only thing Kanye West cares about, is Kanye West. So if he had to throw a hissy fit about something, it would about him not winning. Not Beyonce. Him. This scene is in fact Taylor Swift’s initiation into what I call “The Circle of Chosen Artists”. The pupil is humiliated in front of her peers and told that she is not worthy to be on the same stage as Beyonce, the queen of the ceremony. Almost all groups, fraternities and gangs carry out an initiation process to test the recruit’s character, strength and worth. Swift’s ordeal was have Kanye ruin her first award ever and to be told that she didn’t deserve this recognition. The rapper is known for bitching during award shows so he was the perfect candidate to make it seem “unexpected”. The Prayer Jack Black comes out dressed as a heavy metal guy on steroids to promote a video game. At one point he asks the audience to “put their devil horns in the air” and the proceeds to pray to the “darklord Satan”. The whole thing is light-hearted and comical but I don’t see any other way a prayer to Satan can be inserted into this show without getting a truckload of complaints by “concerned parents”. The scene starts off semi-funny but Jack Black finishes off on a more serious note by saying: “I ask you to grant tonight’s nominees with continued success in the music industry“. So the net result of this scene is: everybody threw up their “devil horns” hand sign, everybody took each other’s hands and prayed to Satan. This piece of pre-award, pre-rehearsed comedy might of been an insignificant skit in another show, but in the context of this one, with its many recreations of occult rituals, it takes a whole other meaning. The Blood Sacrifice Lady Gaga’s performance was hailed as “brilliant” by many music fans. If you however ask them what it symbolizes, their face turns into a question mark. Here’s what Gaga said about her performance during an interview at gagadaily.com Do you think it will be one of those defining moments people will remember at the VMAs? I know it will. I sort of have this philosophy about things: there’s never a reason to do something unless it’s going to be memorable, unless it’s going to change things, unless it’s going to inspire a movement. With the song and with the performance, I hope to say something very grave about fame and the price of it. Something grave? What? You’ll have to see. What are you going to wear? I would say that the fashion for the performance is a representation of the most stoic and memorable martyrs of fame in history. It’s intended to be an iconic image that represents people. I think after watching the performance and maybe studying it after you watch it on YouTube, you’ll see the references and the symbols come through. The setting for the performance is very symbolic. Gaga performs in a temple or maybe an aristocratic mansion, complete with columns, chandlers and paintings. Occult rituals, mind control experiments and even human sacrifices have been constantly rumored to take place in those kinds of locations. One feature I cannot ignore is the presence of two massive pillars underneath an arch. This obvious reference to Freemasonry hints to the occult and ritualistic aspect of Gaga’s performance. Masons are known to carry in their lodges ritual dramas, which are live reenactments of allegorical stories. Gaga’s performance symbolizes her rise to fame and the sacrifice she had to make in order to succeed. When the bloody Gaga is lifted in the air, an eerie light comes out of of between the pillars and the dancers lift their arms in the air in praise. Many ancient religions carried out ritual sacrifices to please the gods. Blood sacrifices have been viewed by black magicians as the ultimate way to collect spiritual energy. The final scene of the performance conveys the presence of this mysterious “force” after a sacrifice. Right after her performance, Gaga appears dressed in an all red dress, with her face completely covered. She is basically a walking, talking blood sacrifice. It represents the aftermath of fame, the hellish life that follows the sacrifice, the selling of the soul for success in the music industry. Pink’s Masonic Initiation There is no way a Mason watches this performance without recalling his initiation into the First Degree. Here’s a description by Mark Stavish: “The candidate for initiation is stripped of all material possessions and dressed in a strange and peculiar garb (…). This includes a blindfold and a length of rope called a cable tow.” He continues “The blindfold used represents secrecy, darkness and ignorance as well as trust. The candidate is led into the lodge room for initiation but is not able to see what is happening. He is bound about the waist and arm with the cable tow.” -Mark Stavish, Freemasonry: Rituals, Symbols and History of the Secret Society Pink is blindfolded and bound with ropes. Her costume exposes her left breast, exactly like Masonic initiates. Instead of having her left leg exposed, Pink’s costume bears a diamond pattern which is very reminiscent of floors in Masonic lodges. Pink’s performance was a dizzying display of acrobatics which undoubtedly left Pink (and the viewers) totally disoriented. This is also a feature of Freemasonry’s First Degree initiation: “His eyes are then bandaged against and a cord in the form of a noose is passed round his neck. At this point the novice is entering the marginal stage, associated with ordeals; he cannot see, his sense of direction has been confused and he has been dressed like a victim for execution.” -J.S. La Fontaine, Initiation – Ritual Drama and secret knowledge across the world Pink’s performance was yet another blatant reference to ritual dramas in occult orders. Taylor Swift’s Acceptance into the Order After Swift’s public humiliation, Beyonce, the queen, calls her up on stage to let her “have her moment”. She pop out from backstage (as if awaiting her cue) in a red dress which is strikingly similar to Beyonce’s. A reader of this site has noticed that, at the moment the two singers hug, a strange phrase appears on the screen behind them saying “RDFO IL 40 PRO DEL ATO”. I have no idea what that means, but it was there. If you solve this enigma, be sure to post it in the comments. Taylor Swift being called on stage represents the fact that she is now accepted as an equal to Beyonce and part of the “chosen ones”. The matching dresses also convey this sense of belonging to this group. She has “passed the test” – the ordeal of being humiliated – and she can now reap the benefits of being on the inside. To Conclude Award ceremonies like the VMAs define and crystalize the pop culture of an era. It consecrates the chosen artists and leaves the others dwelling in the shadows of anonymity. As seen above, the whole show was heavily permeated with occult symbolism, primarly focusing on the “initiation” aspect of it. Why is MTV exposing young people (who know nothing about occultism) to such rituals? Is there a subliminal effect on the viewers? Are we educating the new generation to accept these symbols as part of popular culture? There is definitively a second layer of interpretation in many of MTV’s products. To decode those symbols is to understand the inner-workings of the entertainment industry. SOURCE AND FULL SIZE IMAGES The Gay Secret Society that runs the music industry!!

EVIL BEATLES?

EVIL BEATLES? FULL ARTICLE HERE Beatles, Rock'n'Roll & Mind Control

WAS HENDRIX MURDERED WITH DRUGS LIKE JACKSON?

He was a music megastar, he died in mysterious circumstances involving drugs and there were suspicions of foul play. This was Michael Jackson . . . but it was also Jimi Hendrix. Was the guitar legend killed over money? Michael Jackson’s untimely death will fuel biographies, album rereleases and conspiracy theories for years. But rewind nearly four decades and there’s another death, one that bears many similarities to Jackson’s, about which startling revelations are still coming to light. Jimi Hendrix was also a black artist who crossed over to a white audience. He did for the guitar what Jackson did for the pop video, combining showmanship — playing the guitar with his teeth, behind his back, then setting it on fire — with a musicianship so peerless that on hearing him Eric Clapton considered packing it in. And Hendrix, too, was afflicted by a fame that came too fast, too heavy; by the money-lubricated machinery of management; and by the drugs that helped him to cope. But there is one key difference. James “Tappy” Wright, a former road manager, has come forward with an extraordinary claim about rock’s most gifted guitarist. At first it sounds absurd. But as the 65-year-old granddad lays out his tale while pouring a very un-rock’n’roll cup of tea, you begin to realise that there could be something to it. FULL ARTICLE HERE MICHAEL JACKSON AND SATANISM WERE THERE TWO MICHAEL JACKSON'S? WAS HIS DEATH A BIG HOAX? Korn’s Thoughtless – Selling Satanism To Suburban Kids Rock Music - Premature Death of Rock Stars How Pop & Rock Music is Used to Manipulate Us How Artists Are Used by the Illuminati More Hidden Truths about Big Label Music Industry The Satanic Sex Liberation The Music Industry, an Important Tool for the Controlling Elite ROCK MUSIC & 666 Christian Rock exposed Occultism in Music Shocking Truth About How My Pal Jim Morrison REALLY Died THE SATANIC ROOTS OF ROCK David Bowie and the occult

JACKO'S NEW PENGUIN DANCE MOVE LEAKED VIDEO

FULL SCREEN VERSION HERE

THEY SOLD THEIR SOULS FOR ROCK AND ROLL

The satanic mind controllers have been behind the deaths of many rock acts including Michael Jackson who mysteriously died at the height of their fame. The masonic minders and music mafia have been expert at keeping the music industry a closed shop and drugging the few who get record deals and who have no idea their money is being syphoned away by the thugs who masquerade as the managers, but who are in fact the handlers for the big money men who control the music industry through corruption. See more at the following link. PREVIEW VIDEO HERE

WILL SUSAN'S PERFORMANCE SEE THE DEMISE OF THE MUSIC MOGULS VIDEO

Are the days of the music moguls in their last throws? Susan Boyle is the unlikely architect of the demise of self appointed moguls proving that the music industry has been dominated for to long by those only interested in shoving bimbos with little talent down the publics throat. Usually regarded as SAFE artists who wont rock the establishment boat. The British music industry RULED by assholes like Cowell, who under any other circumstances, would BIN a recording by Susan but have been forced to provide a platform (X Factor ,Britains Got Talent) for the thousands of acts every year that are ignored by the music mafia in London and their global offices of the 6 or so big record labels that CONTROL the worlds music catalogue. The internet changed everything and were previously ALL the major labels that mattered ignored Eva Cassidy she attained a worldwide internet fan base , who like Susan, had struggled to get noticed by an industry that ensures few working class hero's ever make it through their door never mind get signed. The worlds music listeners need to change and NOT rely solely on the false inflated publicity of major record label acts that ensure they dominate our listening even when we know many of these acts musically are rubbish and only visually create any sort of impact. They also control ALL of the output from the major global radio and tv stations that operate via the same control mechanism that protects the establishment from artists that MIGHT want to speak their mind. Music listeners need to be more discerning and seek out music across the globe on the internet where many great singers like Susan have an opportunity to get a platform that record labels refuse time and again to create for these unassuming performers. They may not have the egos,drive or looks of the few who do get record deals but they are musically in a different calibre and while the music industry operates as it does, through CORPORATE mafia types like Cowell (ZIONIST AND MASON), there will remain many great artists who wont get the big platform they deserve and a great loss to the world as a whole. They say the Beatles opened the doors for working class hero's but that was only temporary as if it wasn't for the connections of a Zionist homosexual (Epstein only wanted in John Lennons pants) who funded their rise to superstardom the world might never have heard of them and their music. That is a shocking indictment of how dire the London dominated music scene truly is and remains a shambles full of arrogant non entities who really haven't a clue about what REAL talent is . FULL SCREEN VERSION HERE Susan Boyle "Britains Got Talent" performance on Youtube Susan Boyle wiki Susan Boyle fan site How UK's masonic run record labels endlessly ignored outstanding vocalist Susan Boyle ROYAL PROPAGANDA TOOL "BRITAINS GOT TALENT"

MASON COWELL STEALS LIMELIGHT FROM SUSAN BOYLE ON OPRAH VIDEO

FULL SCREEN VERSION HERE There are NO depths Cowell will not go to to self promote himself as the great finder of talent. A Zionist background and promoted well above his station he takes credit for what the show finds yet under any other circumstances he would bin ALL the recordings from acts that appear on Britains Got Talent and the X factor. Cowell is like all the other record company execs who by pass singers in favour of bimbos who need to show large areas of skin to get anywhere when their musical talents pale next to real talent. Cowell and his ilk have far to much control over what gets promoted in a media heavily controlled by ZIONISTS for their own sinister agenda. Any artist NOT prepared to be utterly controlled by the likes of mason Cowell wont last long. How the CIA and Military Control the Music Industry

RARE CLIP OF KURT COBAIN GETTING KNOCKED OUT BEFORE FORMING NIRVANA VIDEO

FULL SCREEN VERSION HERE

THE TRUTH ABOUT THE ENTERTAINMENT INDUSTRY

by Wes Penre, 2004 This website has the ambition to show the reader what is really going on in the art business. I want to show you that behind the Record Companies and the Art Business Industry is an Elite of super-wealthy people, calling themselves the Illuminati[1], or "Moriah Conquering Wind"[2], who use the Industry to distract and alter our minds with the purpose to fulfill their crimes against humanity. The big Record Labels are all controlled by the same Elite of people, and they run their business through the Occult, and are the heads of Secret Societies like the Freemasons and the OTO. To sign up as a musician for the big Record Companies, you have to be willing to work toward their Agenda, which is to eventually obtain total control over the World Population, or, like in many cases, you are already mind controlled before you start your career. This doesn't mean that all artists that sign up are aware of the Agenda, but they are tied to strict rules and regulations by the Industry. In a free world, the artist would be able to express him/herself the way he/she wants, but if your want to make it in the Industry, you have to adjust to rules, regulations and censorship. Still, the Art Business and Hollywood are only two examples of industries the Illuminati control. For more information, see www.illuminati-news.com/index.htm. The famous artists, who get the most promotion, are themselves often mind controlled victims, who have split, multiple personalities and are controlled by a Programmer or a Handler (who quite often is the Manager). This is to keep the artist "on track", so that he/she keeps following the course that is set out for him/her. If the artist tries to drift away from the "cause", he/she is getting threatened, "re-programmed", denied to make more records (fired), or even killed. The Art Business has maybe one of the highest death statistics of all professions. Why? Many artists are themselves involved in the Occult and members of secret societies like the ones mentioned above, and the Church of Satan. They are practicing Occultism and Black Magic (like Marilyn Manson, Ozzy Osbourne, Led Zeppelin to name a few), and this web site has the ambition to reveal what is behind the "glamour". Their task is to demoralize our youth, to create a society where no one is able to think for themselves (contrary to what the pop culture is trying to teach us, that rock music is rebellious and good for us). The musicians are often acting degraded and high or low on drugs, so their fans start acting the same, because if the celebrities are doing it, it is cool; the purpose is to create apathy and decay. Quite a few artists also put subliminal backward messages in their music, like Led Zeppelin, Michael Jackson, The Eagles, and more ... Here is a website that tells you more about Backmasking: http://www.nauglefest.net/backmask.htm. Does this all sound crazy? Unbelievable? Yes, it certainly does - for most people. However, hopefully the readers will change their minds after have read the information on this website, and the powerful testimonies from people who themselves are/were working in the Music Industry. My ambition is NOT to put a stop to music, but to try putting a stop to the evil agenda that rules the Industry, and prevent them from picking young, talented people and have them "Sell their Souls to Rock And Roll (And Mind Control)" in exchange for money and glory. The truth is, that those rich and famous artists cannot enjoy their wealth and glory at all, as they are very trapped and controlled and feel miserable most of the time. This, of course, is nothing new. You can read about miserable artists all the time in the newspaper. Only problem is that no one is asking the question why they are so miserable although they seem to "have it all"...The truth is, you can not be happy if you are constantly traumatized and controlled; it doesn't matter how many millions you have on your bank account. And who am I? I am Wes Penre, a former rock musician and composer. I am one of those who did not fit into the Agenda of the Elite. I am one of those who at that time didn't understand why my revealing lyrics and melodic songs were not appreciated by the big Record Companies. Now I know better. And no matter what some people might think, I am NOT a bitter, failed musician, who wants to "get even" with the Industry. I live a life I am very happy with, and even if I had the chance again, I would not sign up to be a professional musician. In a better world I would, but I will NOT sacrifice my body and soul to make big bucks for the Illuminati. Now, enjoy your research into this field! Unfortunately, not many researchers seem willing to confront this topic, so when I write this, I am one of the few who exposes this without having a religious or personal agenda. Whatever you may think of the following, it will definitely open your eyes, and next time you see an interview with one of those artists, listen to a concert, or listen to a CD, you will recognize some of what is written here. Again, my intention is not to have you stop listening to music. I still find much of the rock music being great, and I listen to it daily - but with a new insight ... Thank you, Wes Penre I believe that Brittany [sic] Spears, Eminem, and others are being used by them to sing lyrics they like (ever notice that he wears a Neo-Nazi look and sings hate lyrics? This is NOT by chance). In fact, many of the top pop singers come from an internship with the "Mickey Mouse club" (yep, good old Walt the Illuminist's Empire) and I believe they are offered stardom in exchange for allegiance or mind control. How many lyrics advocate suicide, violence, despair, or New Age spirituality in pop/rock today? Or just get a copy of the words and read (but be aware that many are possibly triggering to survivors of mind control). ~Svali~ former member of the Illuminati SOURCE Wes Penre's Blog Fighting For Planet Earth, by Wes Penre of Illuminati News

THE DARK SIDE OF PINK FLOYD

It’s rock music’s most complicated saga, involving ego wars, madness and death. Robert Sandall explains why nothing — not even $250m — can put the pieces of Pink Floyd together again Pink Floyd fans are an optimistic lot. A year ago the band’s blogging followers were talking up a putative tour in 2009 that would reunite the so-called “classic” 1970s line-up — the one responsible for their 40m-selling magnum opus The Dark Side of the Moon — for their first proper concert since 1980. To a large extent, this represented the triumph of hope over experience. Of the many attempts to get the four members of Pink Floyd back on stage together, only Bob Geldof’s had come off. After the fractious foursome re-convened for an historic 18-minute slot at Live 8 in 2005, the world’s largest concert promoters, Live Nation, offered them a record $250m — pure profit, net of all production expenses, which the promoters would cover separately — to tour North America. This figure valued Pink Floyd as a bigger live draw than the Rolling Stones, and was more than twice what Live Nation shelled out to sign Madonna to an inclusive concert-and-albums deal in 2007. FULL ARTICLE HERE

ARE THE ILLUMINATI BEHIND THE DEATHS OF ROCK STARS?

The illuminati have controlled and funded rock music from its beginnings.The record companies have an illuminati agenda. They also know that dead rock stars make much more money than when alive including Hendrix,Lennon,Cobain and Morrison.They ensure rock stars are fed huge quantities of drugs(THEY control the drug supply)to keep them under their control and while they fritter away the moneys made, in overseas bank accounts. Also if a rock star doesn't keep to that agenda when they become famous and influential they are likely got rid of to shut them up while ensuring the money train goes on.Instead of a depletion of moneys as through time fame of any star gradually wanes.All the massive concerts of late have been arranged and funded via the illuminati /masons.They have the KEY venues tied up in their system that NO ONE can play without an illuminati signed contract.As the saying goes and very true ,they are signing their souls away to the devil. The shocking truth about how Jim Morrison REALLY died I Sold My Soul To Rock'n'Roll & Mind Control

WOODSTOCK TURNS 40 VIDEO

FULL SCREEN VERSION HERE

GUITAR LEGEND LES PAUL DIES AGED 94 VIDEO

FULL SCREEN VERSION HERE WHITE PLAINS, N.Y. — Les Paul, the guitarist and inventor who changed the course of music with the electric guitar and multitrack recording and had a string of hits, many with wife Mary Ford, died on Thursday. He was 94. According to Gibson Guitar, Paul died of complications from pneumonia at White Plains Hospital. His family and friends were by his side. As an inventor, Paul helped bring about the rise of rock 'n' roll and multitrack recording, which enables artists to record different instruments at different times, sing harmony with themselves, and then carefully balance the "tracks" in the finished recording.

GLASTONBURY'S ILLUMINATI SYMBOLISM

Typical illuminati icon that British music is controlled by. Is Michael Eavis a high ranking mason?His latest ticket fiasco requiring photo id's for entry to Glastonbury shows masonic monitoring techniques. Obviously Glastonbury has the Tor, and has also built a bloody great Pyramid Stage to present the artists on, but when you think about it any sort of occult symbolism can be displayed at festivals, right under the crowd’s noses, without them really taking any proper notice of it whatsoever. Using Glastonbury as a good example, did you know that, long before Michael Eavis, the foundations for Glastonbury were laid by bloodlines linked to the Illuminati? MORE HERE